• COM COM ALTE FOTT, 2015. Unburnt clay, gouache. Variable dimensions.
  • COM COM ALTE FOTT. Installation view 2015.
  • COM COM ALTE FOTT, 2015. Unburnt clay, gouache. Variable dimensions.
  • COM COM ALTE FOTT, 2015. Unburnt clay, gouache. Variable dimensions.
  • Maria, Pinons kone, 2018. Detail.
  • Herkomst. Installation view 2018. Photo by Brian Kure
  • Alte Fott int/ext, 2017. Unfired clay, silicone. Variable dimensions. Torso cockpit: plywood, acrylic paint. 80 x 49 x 35 cm
  • HQ (Impressions), 2018. Detail.
  • HQ (Impressions), 2018. Fired clay, pigment. Variable dimensions. Torso cockpit: plywood, acrylic paint. 80 x 49 x 35 cm
  • Hell is the Object of Attachment, 2017. Magazine page, scotch tape, face paint. 27,7 x 21, 3 cm
  • Hamlet, Prince of Jutland, 2019. Installation view
  • Grof (2019). Polyester, rabbit glue, text on Dibbon; 150 x 100 cm
  • Spec, 2019. Polyester, rabbit glue, wood. 148 x 100 x 11 cm
  • Natbog, 2017. Acrylic paint on paper.
  • MORORMROM, 2017. Paper, tape. 20,3 x 25,3 cm
  • HELIO, Installation view 2019
  • HELIO, Installation view 2019
  • Pomfrit, 2018. Polyester, cotton rabbit glue. 230 x 131 cm
  • Orgel, 2018. Thermoplastic polyester, 244 x 148 cm
  • Brændte Fødder, 2015. Burnt clay. 40 x 24 x 11 cm and 36 x 23 x 11 cm